<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://cannesclassics2019.home.blog/2019/06/12/margaret-bodde-interview/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/62607551_459219844826565_3542874911372476416_n.jpg</image:loc><image:title>62607551_459219844826565_3542874911372476416_n</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/cgkxo604g3phzpqponsn5stbrfnv6y_large.jpg</image:loc><image:title>cgKxO604g3phzPqpONSN5STBrfnV6y_large</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/m6bf12wvzwpljyepjptjq42e83xdio_large.jpg</image:loc><image:title>M6bf12wvZWpljYEPJptJq42e83XdiO_large</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/61933430_890494471295388_3862399896711593984_n.jpg</image:loc><image:title>61933430_890494471295388_3862399896711593984_n</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/unknown.jpg</image:loc><image:title>Unknown</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/61751640_871472539912063_7001147638552723456_n.jpg</image:loc><image:title>61751640_871472539912063_7001147638552723456_n</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/61574292_10219743375795385_4157935853320011776_o.jpg</image:loc><image:title>61574292_10219743375795385_4157935853320011776_o</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/losolvidados-400x600.png</image:loc><image:title>losolvidados-400x600</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/losolvidados.jpg</image:loc><image:title>losolvidados</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/06/los-olvidados-one.jpg</image:loc><image:title>Olvidados, Los (1950)&#13;aka The Young and the Damned&#13;Directed by Luis BuÒuel</image:title><image:caption>Olvidados, Los (1950)&#13;aka The Young and the Damned&#13;Directed by Luis BuÒuel</image:caption></image:image><lastmod>2019-06-19T09:26:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/30/le-processus-de-creation-cinematographique-refnien-ou-la-violence-viscerale-des-bas-fonds-comme-langage-de-lame/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/nicolas-winding-refn-sur-tournage-serie-too-old-die-young.jpg</image:loc><image:title>nicolas-winding-refn-sur-tournage-serie-too-old-die-young</image:title></image:image><lastmod>2019-06-01T23:10:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/06/01/entretien-n5-avec-lequipe-de-restauration-de-lage-dor-de-luis-bunuel/</loc><lastmod>2019-06-01T11:48:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/26/rencontre-avec-zhang-ziyi/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/fashiondress1.jpg</image:loc><image:title>fashiondress1</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/capture-de28099c3a9cran-2019-05-26-c3a0-12.37.55.png</image:loc><image:title>Capture d’écran 2019-05-26 à 12.37.55</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/sword.jpg</image:loc><image:title>Sword</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/grand.jpg</image:loc><image:title>GRAND</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/flying-1.jpg</image:loc><image:title>Flying</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/fly.jpg</image:loc><image:title>FLy</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/images.jpg</image:loc><image:title>images</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/flying.jpg</image:loc><image:title>Flying</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/qipao-15-final-black-white-floral-.jpg</image:loc><image:title>Qipao-15-final-black-white-floral-</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/qipao-9-final-black-white-horizontal-stripes-2.jpg</image:loc><image:title>Qipao-9-final-black-white-horizontal-stripes-2</image:title></image:image><lastmod>2019-05-31T21:11:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/22/la-cite-de-la-peur-1994-generation/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/carioca2.jpg</image:loc><image:title>carioca2</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/la-cite-de-la-peura.jpg</image:loc><image:title>la cite de la peura</image:title></image:image><lastmod>2019-05-31T14:12:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/19/entretien-avec-nicole-et-felix-le-garrec-a-propos-de-plogoff-des-pierres-contre-les-fusils/</loc><lastmod>2019-05-31T14:09:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/28/sylvester-stallone-vietnam-et-amerique-ou-resilience-schizophrenique-et-autre-syndrome-post-traumatique/</loc><lastmod>2019-05-31T10:18:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/30/entretien-avec-pierre-william-glenn-a-propos-du-documentaire-les-silences-de-johnny/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/godard_johnny.jpg</image:loc><image:title>godard_johnny</image:title></image:image><lastmod>2019-05-30T08:49:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/26/cloture-interstellaire/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/agnes-varda-la-pointe-courte-577x800.png</image:loc><image:title>agnes-varda-la-pointe-courte-577x800</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/jean-gabriel-domergue-festival-international-du-film-cannes-1939_a-g-1247942-0.jpg</image:loc><image:title>jean-gabriel-domergue-festival-international-du-film-cannes-1939_a-g-1247942-0</image:title></image:image><lastmod>2019-05-29T18:00:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/20/making-waves-2019-et-shining-1980-un-enchainement-brillant/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/shining-main.jpg</image:loc><image:title>shining-main</image:title></image:image><lastmod>2019-05-28T08:47:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/26/rambo-first-blood-le-corps-de-larmee/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/rambo-first-blood-e1558878583653.jpg</image:loc><image:title>Rambo First Blood</image:title></image:image><lastmod>2019-05-28T08:45:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/25/bernardo-bertolucci-no-end-travelling-2018-photogramme-de-lanticonformiste/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/bernardo-bertolucci-no-end-travelling-2019-mario-sesti-recensione-cov932-932x460.jpg</image:loc><image:title>bernardo-bertolucci-no-end-travelling-2019-mario-sesti-recensione-cov932-932x460</image:title></image:image><lastmod>2019-05-28T08:23:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/27/masterclass-de-sylvester-stallone-parade-en-santiags/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/ea3c7d820cb.jpg</image:loc><image:title>Sylvester Stallone Attends a Masterclass During the 72nd Cannes Film Festival</image:title><image:caption>North America Rights Only - Cannes, France -20190524- Sylvester Stallone attends a Masterclass during the 72nd Cannes Film Festival.&#13;&#13;-PICTURED: Didier Allouch, Sylvester Stallone&#13;-PHOTO by: Hahn Lionel/ABACA/INSTARimages.com&#13;&#13;This is an editorial, rights-managed image. Please contact Instar Images LLC for licensing fee and rights information at sales@instarimages.com or call +1 212 414 0207 This image may not be published in any way that is, or might be deemed to be, defamatory, libelous, pornographic, or obscene. Please consult our sales department for any clarification needed prior to publication and use. Instar Images LLC reserves the right to pursue unauthorized users of this material. If you are in violation of our intellectual property rights or copyright you may be liable for damages, loss of income, any profits you derive from the unauthorized use of this material and, where appropriate, the cost of collection and/or any statutory damages awarded</image:caption></image:image><lastmod>2019-05-28T08:15:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/27/miracle-a-milan-1951-vittorio-de-sica-la-poesie-du-regard/</loc><lastmod>2019-05-27T17:41:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/22/entretien-avec-ferid-boughedir-a-propos-decamera-dafrique/</loc><lastmod>2019-05-27T17:22:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/27/entretien-avec-gian-luca-farinelli-directeur-de-la-cinematheque-de-bologne/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/farinelli.jpg</image:loc><image:title>Farinelli</image:title></image:image><lastmod>2019-05-27T17:21:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/26/the-shining-de-stanley-kubrick-1980-la-steadicam-fantome/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/index-1.jpg</image:loc><image:title>index</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/415a9e88e5f8d923dabe21b9093cb360.jpg</image:loc><image:title>415a9e88e5f8d923dabe21b9093cb360</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/the-shining-maze.jpg</image:loc><image:title>The-Shining-maze</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/the-shining-hotel.jpg</image:loc><image:title>The Shining hotel</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/the-shining-corridor.png</image:loc><image:title>The Shining corridor</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/garrett-brown-steadicam.jpg</image:loc><image:title>Garrett Brown steadicam</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/garrett-brown-steadicam2.jpg</image:loc><image:title>Garrett Brown steadicam2</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/garrett-brown-steadicam3.jpg</image:loc><image:title>Garrett Brown steadicam3</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/steadicam2.jpg</image:loc><image:title>steadicam2</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/steadicam.jpg</image:loc><image:title>steadicam</image:title></image:image><lastmod>2019-05-26T22:34:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/24/la-passione-di-anna-magnani-e-cerasuolo-2019-cest-tres-beau-detre-libre/</loc><lastmod>2019-05-25T09:22:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/23/lage-dor-1930-de-luis-bunuel-le-desir-sans-limites/</loc><lastmod>2019-05-25T09:21:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/23/forman-vs-forman-le-triomphe-de-lindividu/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/capture-de28099ecc81cran-2019-05-23-acc80-14.25.53.png</image:loc><image:title>Capture d’écran 2019-05-23 à 14.25.53</image:title></image:image><lastmod>2019-05-25T09:20:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/20/masterclass-de-nicolas-winding-refn-cinema-and-streaming-is-the-same-world/</loc><lastmod>2019-05-25T09:18:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/17/easy-rider-born-to-be-wild/</loc><lastmod>2019-05-24T00:16:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/20/masterclass-dalain-delon-je-ne-perds-jamais-jamais-vraiment/</loc><lastmod>2019-05-20T15:59:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/16/toni-de-jean-renoir-1935-lamour-sous-toutes-ses-formes/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/d668a-http3a2f2f3.bp_.blogspot.com2f_-m_z_lcxzo02fton6ft_88ii2faaaaaaaafg42fb_mbbldjvbi2fs16002f000a16ca_medium.jpg</image:loc><image:title>d668a-http3a2f2f3.bp_.blogspot.com2f_-m_z_lcxzo02fton6ft_88ii2faaaaaaaafg42fb_mbbldjvbi2fs16002f000a16ca_medium</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/11938-http3a2f2f1.bp_.blogspot.com2f_3px6f4p3dfg2fstupgq7vwqi2faaaaaaaaaig2f3rmjb-7avby2fs3202frenoir2btoni2b3.jpg</image:loc><image:title>11938-http3a2f2f1.bp_.blogspot.com2f_3px6f4p3dfg2fstupgq7vwqi2faaaaaaaaaig2f3rmjb-7avby2fs3202frenoir2btoni2b3</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/85ec7-http3a2f2f4.bp_.blogspot.com2f-4nicsiqsy3q2ftbjstggdpai2faaaaaaaacuo2fbgsmlul6ibq2fw1200-h630-p-nu2ftarkovsky.sacrifice.jpg</image:loc><image:title>85ec7-http3a2f2f4.bp_.blogspot.com2f-4nicsiqsy3q2ftbjstggdpai2faaaaaaaacuo2fbgsmlul6ibq2fw1200-h630-p-nu2ftarkovsky.sacrifice</image:title></image:image><lastmod>2019-05-20T14:15:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/20/remise-de-la-palme-dor-dhonneur-a-alain-delon/</loc><lastmod>2019-05-20T13:57:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/17/le-serpent-blanc-1958-lanimation-intemporelle/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/100050972_o.png</image:loc><image:title>100050972_o</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/serpent-blanc-6.png</image:loc><image:title>serpent blanc 6</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/serpent-blanc-5.jpeg</image:loc><image:title>serpent blanc 5</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/serpent-blanc-4.jpg</image:loc><image:title>serpent blanc 4</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/serpent-blanc-2.jpg</image:loc><image:title>serpent blanc 2</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/studio-ghibli.jpg</image:loc><image:title>studio ghibli</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/toy-story.jpg</image:loc><image:title>toy story</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/kirikou.jpg</image:loc><image:title>kirikou</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/serpent-blanc-1.jpg</image:loc><image:title>serpent blanc 1</image:title></image:image><lastmod>2019-05-20T10:01:34+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/17/125-rue-montmartre-de-gilles-grangier-1959/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/412803.jpg</image:loc><image:title>412803</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/thumb_64848_film_film_1600x903-2.jpeg</image:loc><image:title>thumb_64848_film_film_1600x903 (2)</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/thumb_64848_film_film_1600x903.jpeg</image:loc><image:title>thumb_64848_film_film_1600x903</image:title></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/2kmtvlugmvgutjgcf3ezk9g7pfn.jpg</image:loc><image:title>2kmtVLugmVGutJgcf3ezk9G7pFn</image:title></image:image><lastmod>2019-05-20T10:01:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/2019/05/16/toni-de-jean-renoir-1935-une-france-de-cinema/</loc><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/toni_1.jpg</image:loc><image:title>Celia Montalván, Charles Blavette</image:title><image:caption>Celia Montalván, Charles Blavette</image:caption></image:image><image:image><image:loc>https://cannesclassics2019.home.blog/wp-content/uploads/2019/05/toni_2.jpg</image:loc><image:title>Toni_2</image:title></image:image><lastmod>2019-05-20T10:00:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://cannesclassics2019.home.blog/masterclass-2/</loc><lastmod>2019-05-12T10:29:46+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://cannesclassics2019.home.blog/films-2/</loc><lastmod>2019-05-12T10:29:43+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://cannesclassics2019.home.blog</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2019-06-19T09:26:39+00:00</lastmod></url></urlset>
